|
Featured Artists |
| |
|
|
|
|
 |
|
|
|
Copyright © 2008
The Redstone Gallery
All Rights Reserved |
|
|
| |
| |
|
Michael Flohr |
| |
 |
|
|
Fontaine's 18 x 36 |
Bon Appetit 30 x 20 |
|
|
|
Cappuccino with Friends 19 x
26 |
Coffee Break 16 x 20 |
|
|
Crystal Cafe 30 x 22.5 |
L'Auberge 48 x 36 |
|
|
Lunch Date 22 x 28 |
Manhattan For Mel 11 x 14 |
|
|
Martini For Me 11 x 14 |
Mel At The Bar 20 x 24 |
|
|
Mel-ody 30 x 40 |
Night At The Fox
30 x 48 |
|
|
Red Dress 24 x 24 |
Reflections 30 x 40 |
|
|
It is a rare and celebrated occasion when an artist
is discovered that has a unique talent, fresh vision
and exceptional ability to transcend artistic
predisposition. Painter Michael Flohr is just such
an artist. His work is a visual adventure. Not only
in its exquisite beauty, obvious artistic integrity
and the emotion elicited in every work of art, but
in the artists ability to effect the invention of a
genre unique and true in and of itself in today’s
contemporary art world.
Depicting
ordinary moments in extraordinary ways, Flohr’s work
is an intellectually artistic mastery of color,
perspective, technique and vision. Blazing a trail
that is sure to influence the eyes of fine art
collectors around the world, his work is also sure
to impact other emerging artists for years to come.
Michael Flohr is a young California artist,
currently living and working in San Diego.
Recognizing his artistic aptitude at a very early
age, Flohr’s parents enrolled him in his first art
class at the age of five. His family’s perpetual
encouragement and conviction in his talents led him
to pursue a degree at the San Francisco Academy of
Art College. At the academy, he was able to
experiment with all types of media and artistic
styles. In 1999, Flohr’s propensity for illustration
was recognized by his acceptance into New York’s
Society of Illustrators, where he joined the ranks
of legendary predecessors such as Norman Rockwell,
Maxfield Parrish and N.C. Wyeth. He was awarded the
Herman Lambert scholarship by the Society in the
following year. He graduated from the Academy of Art
in 2000 and was honored with Best of Show for his
painting titled, Irish Coffee at the Academies
spring exhibition that same year. Shortly
thereafter, three of Flohr’s paintings were selected
for exhibition at the de Young Museum, San
Francisco’s oldest public museum. There, his work
hung in the company of other master painters
including one of his most revered inspirations,
Claude Monet.
Acceptance
into a museum environment so early into his artistic
career is a sure indication that this is an emerging
artist to be watched. In a contemporary art world
that has craved a fresh, new approach in the
creation of effectual works of art, Flohr fills this
void with his series of paintings that cover subject
matter ranging from nightlife scenes, cityscapes,
still lifes and figurative portraiture. His work is
largely urban in content, frantic in execution yet
solemn in interpretation. His paintings have an
eerie ability to capture a fleeting moment, as if
from a peripheral vision, resulting in a permanent
déjà vu for the outsider looking in. Bordering the
surreal, yet strangely familiar, his images capture
what seems to be the artist’s furious study of a
gloriously regular moment in time. A moment it seems
in which many can relate. |
|
|
|
|
Royal Street 48 x 36 |
Serendipity Suite (Good Medicine & Lady Luck) 11 x 14 |
Stock Talk 40 x 40 |
Streets Of Gold 36 x 48 |
|
|
|
 |
Table for Two 11 x 14 |
Uptown 16 x 50 |
When In Rome 24 x 40 |
Uncorked 16 x 48 |
|
| |
| |
|