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Redstone Gallery - Park City, Utah UT

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Phone:  435-575-1000
Email: 
info@theredstonegallery.com

 

1678 W. Redstone Center Dr. Suite 120
Park City, UT 84098

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The Redstone Gallery
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David T. Kessler
 
Leaf Cascade II
36 x 48
 Surface Shimmer
36 x 60
#3
48 x 72
#4
60 x 84
#5
36 x 48
#6
48 x 72
#7
60 x 84
#8
36 x 48
#9
48 x 72
#10
36 x 48
 
#11
48 x 60
 

 

 
David Kessler is an extraordinary painter who has created a unique art form that holds a viewers attention by accentuating the paradox of the flat painted surface with the visual illusion of depth and space.

Using a perfected technique in the photo-realist tradition developed over the past twenty-five years, Kessler has created a series of spectacular waterscape paintings that incorporate realistic imagery painted over a surface of abraded and polished aluminum. This combination of hybrid elements forces the viewer to shift their perception to accommodate the incongruity of light being reflected from the metal surface, while at the same time being absorbed by the painted areas. This reinforces the strange visual perplexity of the paintings that are at the same time realistic and holographic.

His paintings have been exhibited internationally since 1977, with shows in Tokyo, Strasbourg, Chicago, Los Angeles, Miami, Scottsdale, and New York. Kessler's paintings are in the permanent collections of The Strasbourg Contemporary Museum of Art, The Brooklyn Museum, The Minnesota Museum of Art, The Museum of the Rhode Island School of Design, The Santa Barbara Museum, The Barrington Art Center, and others.

"As a painter, it is important for me to address the concerns of painting - what has been done - and what can I add to this. My work on aluminum is an attempt to use the qualities of refracted light and to have these qualities interact with the painting.

The completed image is produced both by refracted light, created by the use of various wire brushes and paint airbrushed in transparent layers. Within this process about half the image is produced by refracted light alone, simulating paint and about half by paint.

The dual concerns of working with simulation: refracted light simulating paint, and hybridization: the use of aluminum, wire brushes and paint; are an attempt to create an image working within some kind of context that is post-modern - and I use that term simply to mean after modern rather than against modern."   -David Kessler

 
 
 
 
 
 
 
 
 
 

1678 W. Redstone Center Drive, Suite 120  |  Park City, UT 84098  |  435-575-1000  |  info@theredstonegallery.com